Tag Archives: books

The Surprising Online Life of Legends – Legend-Tripping Online: Supernatural Folklore and the Search for Ong’s Hat

A very interesting article/review of Legend-Tripping Online: Supernatural Folklore and the Search for Ong’s Hat.

From The Chronicle of Higher Education: Now, from the you-can-learn-something-new-every-day files, comes Michael Kinsella’s Legend-Tripping Online: Supernatural Folklore and the Search for Ong’s Hat.

Read it here: http://chronicle.com/blogs/pageview/the-surprising-online-life-of-legends/29221

From the article:

The response of Joseph Matheny to Legend-Tripping Online suggests the success of Kinsella’s read on the Incunabula Papers. On his Web site, Matheny wrote that Kinsella “did an excellent job and only missed the mark with two or three of his conclusions,” which Matheny said he would clear up by writing a complementary account.

Continue reading The Surprising Online Life of Legends – Legend-Tripping Online: Supernatural Folklore and the Search for Ong’s Hat

Ong’s Hat eBook Now on iTunes

Ong’s Hat: The Beginning is now available on iTunes for your iPad, iPhone and other ePub compliant readers. It is reasonably priced at$4.99 USD.

I will also be releasing an official audiobook through Audible.com later this year.

All this is in preparation for a new Ong’s  Hat spin-off novel (a sort of meta-sequel) that is in the works for release early next year.

In the meantime, enjoy the “beginning” in your favorite format.

Get it here

THE BUSINESS OF STORYTELLING: PRODUCTION OF WORKS, POACHING COMMUNITIES, AND CREATION OF STORY WORLDS

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THE BUSINESS OF STORYTELLING: PRODUCTION OF WORKS, POACHING COMMUNITIES, AND CREATION OF STORY WORLDS
by Bakioglu, Burcu S., Ph.D., INDIANA UNIVERSITY, 2009, 402 pages; 3373494

Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy.

pdficon_largeA paper [PDF] that uses copious quotes from This is Not a Game: A Guide to Alternate Reality Gaming and has  section about the Ong’s Hat project.

Abstract:

My study is an analysis of the divergent ways the materiality of works affect the process of meaning-making across various media and investigates how it influences the production of works. A work born in media convergence inevitably elicits hybrid forms of story-telling that offer immersive and interactive environments in which users are expected to perform certain activities. In such an environment, I argue that storytelling becomes a collaborative, and more importantly, a participatory process. My dissertation, ultimately, interrogates the nature of performativity and collaboration in works that extend across various media. I develop the model of performative narratives to refer to works that encourage and rely on such activities for the formation of their texts, such as experimental novels, YouTube videos, Alternate Reality Games, and multi-user virtual environments that are based on user-generated content such as Second Life. As such, my study investigates how works become sites of struggle because the stories that they narrate are in a state of constant negotiation between its producers/creators, the medium of the work, and the communities that these works mobilize.


New Book Coming Out: Rebels and Devils

Rebels & DevilsRebels & Devils

The Psychology of Liberation

edited by Christopher S. Hyatt, Ph.D. introduced by S. Jason Black foreword by Nicholas Tharcher contributions by William S. Burroughs Joseph C. Lisiewski, Ph.D. Timothy Leary Ph.D., Robert Anton Wilson, Austin Osman Spare, Genesis P-Orridge, Aleister Crowley, Joseph Matheny, Peter J. Carroll, Israel Regardie, Jack Parsons, Phil Hine, Osho, and many others.

I feel honored to be included in such rebellious company. Available Now.

Scans of the original mail-art version of the Incunabula: Ong’s Hat documents: PDF

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Incunabula Originals Incunabula Originals Scans as a PDF

 

Mail Culture and Historical notes:In the late 70s and early 80s a network culture emerged that pre-dated information exchange via BBS/Fidonet/Internet (Arpanet) type networks. This was known as the “Mail Culture”. Using the guerrilla tactics of information networking started by such underground movements as the radical underground of the American 30’s, 50’s and 60’s and the Soviet Block ‘Samisdat” culture, the “Mail Culture” used the postal systems of the world to tie together outposts of radical/fringe thought and art into a loosely affiliated info-network. (All of course paying homage to the “chapbook” and “Pamphlet” cultures that sparked so many revolutions, including the American and French)

It worked like this: In the very early 80’s I became aware of a anarchist art collective in the Madison Wisconsin area known as “Xexoxial Endarchy” which for all intents and purposes functioned as a jumping off point for “Mail Culture” activity. One could write to XE, include a SASE, and receive in return a catalog (Xeroxed of course!) of weird pamphlets, catalogs and audio tapes of “experimental” music/sound collages, from the fringe of society (and beyond in some cases). Also, a list of names, addresses, and requirements (send us one of your things, we’ll send you one of ours, or send a SASE, etc.) which you would then add names of places/individuals that you had collected (as well your own)in the mix, make copies, and distribute in kind. I was putting out a xerox zine at the time called SNARF and used that as my coin to trade with. Over the course of a few years my collection of crackpot literature from this source grew to encompass 3 bookshelves. It is apparent from anyone who has been in contact with this culture that the first iterations of the Inunabula catalog as we know it today came from/was tailored for this underground movement. I put a xeroxed copy of the original color , in circulation in 1990/91 or so and watched several iterations of xerox of xerox of xerox- sans illustrations, plus new illustrations, appear from time to time in fringe science and crackpot literature catalogs, sometimes “for sale.It is still unclear who circulated the original color version and for what purpose.

Later, several compendium books appeared (late eighties, early nineties) that were commercially available such as:

High Weirdness by Mail
Factsheet Five
Fringeware Review and many others

Historical Notes

Dear DW,

Thanks so much for this! I’ve compared these to the color edition I have in a safe deposit box, as well as several other iterations I’ve seen and collected over the years and have the following to report:

Document 1. Xerox of a Xerox made from the original color catalog. By comparing a few markings made by scratches on the now ancient (heck, even then it was kinda old!) machine, I can tell that this is a Xerox made from a Xerox of the color brochure which I gave to a friend at Aries Arts in Capitola and which was sold for $2.00 (copy, handling, and postage costs) through a conspiracy mail-order catalog that the owners husband ran in the back.

I have seen several different versions of copies made from that original before, with artwork added, subtracted, etc. The main difference here from the original color is the puzzling absence of the other 13 pages of illustrations that was included with the color version. The cover of this one however is definitely a copy of the original cover. I can also attest to the fact that the text sections are exact replicas of the original color (done on a sandstone vellum bond). Maybe they left out the 13 pages of illustrations for the purpose of saving paper. Who knows?

I plan to make a high quality color PDF copy of my one and only color copy available in a few months to coincide with the release of some other material. All in all, this is still a cool collectors piece and I’ll put the copy you gave me in a polybag and store it with the rest of my “iterations” collection.

Document 2. This is not the original brochure but in fact a Xerox copy of the 1988 Edge Detector article. Note that is says (as I have said time and again in public) PLW’s admonition that he was merley “passing it on”.

A few years ago, I talked to a ranger at the Lebanon State Forest Ranger Station (some kind of tourist welcome center) and a lady who worked there told me that in fact a brochure that fit the description of the one in my possession had been in the racks for a while, but she was unclear where they had come from. This would have been mid-eighties or so by her recollection.

Since then two other people (Parsifal on DP and another lady who claimed to have known the Ashram residents) have repeated a similar story. Again, when I scan the color catalog, I will scan and include the copy of the brochure that I have in my possession.

Additional Notes: Originals-1 contains the Edge Detector version of the OH Brochure that is the origin of the “written by PLW” rumor, and on page 16 of the PDF, the illustration has a black and white reproduction of the actual cover of the brochure, bottom left of the page.

This is undoubtedly the version a certain psycho was passing around in the early nineties, with PLW’s name blacked out with a marker. I also remember him saying on the some long gone web-board that the “original” brochure had plans or a schematic inside. This is what he’s talking about, since he was obviously using the ED version. This “schematic” is an artisitic rendering, added by the publisher of Edge Detector and does not exist in the original brochure. Anyone who’s read the catalog and brochure would be able to recognize that this image in no way represents the vehicle described in those documents.