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Statement: Much like Andy Kaufman considered himself a “Song and dance man” rather than a comedian, I do not consider myself a novelist. I create stories with multiple mediums mixed together. Books, video, audio, street art, phones, etc. I have from time to time, dabbled in the form of the book, which I consider to be a unit of measure now, rather than a literal object, but that’s a discussion for another day. Below are some of my “print” works, some digital, some dead tree editions. A few of them were objects in bigger, more sprawling object oriented works. I am currently thinking about a word to use instead of “transmedia” to describe what I do. My method precedes both Transmedia (a Hollyweird perversion now anyway) and ARG (another story telling style tainted by commercialism). Back when I started doing this kind of work (1986′ish), I called it “Living Book Process”. That had a ring of purity to it, a resonance of artistic integrity and even a little touch of”magic”.
Nowadays, advertising and big commercial media interests have poisoned the well. “Transmedia, like so many other interactive mediums that had a lot of early, unrealized potential, has been co-opted by MSM as yet another sewer pipe for MSM interests to pump their crap through and sell it to us as food. S0 it’s time for a new word or term to describe real interactive media telling real human stories. Until a new medium arises and we get that golden frontier period of pre-co-option, here’s my stuff. Call it what you will.
Rebels and Devils: The Psychology of Liberation edited by Christopher S. Hyatt, Ph.D. introduced by S. Jason Black foreword by Nicholas Tharcher contributions by William S. Burroughs Joseph C. Lisiewski, Ph.D. Timothy Leary Ph.D., Robert Anton Wilson, Austin Osman Spare, Genesis P-Orridge, Aleister Crowley, Joseph Matheny, Peter J. Carroll, Israel Regardie, Jack Parsons, Phil Hine, Osho, and many others
Contributor YouTube: An Insider’s Guide to Climbing the Charts (more info here)
Contributor/Editor:This is Not a Game: A Guide to Alternate Reality Gaming with Dave Szulborski (Excerpt here ) Also, appeared as myself, in character, in person, in the “Catching the Wish” ARG.
Do you know what you have to do to piss off a bunch of fundamentalists and conspiracy theorists who will then harass and malign you? Just put up a single, spooky webpage, that purports to be a recruitment drive for a organization whose actual existence is speculative at best and at worst is fiction presented as fact (or paranoid, hysterical hand-waving in the interest of selling books?). Really. Apparently, that’s all you have to do. So much for freedom of artistic expression or a right to one’s own opinion. In all fairness, I think the theories mentioned read as good fantasy crime fiction. The unnerving side of this was the equal amount of applications I received asking to join (Really? Join a group of underground serial killers? Really?) or outright death threats. After I outed myself on this experiment, I of course was the target of vitriol from a few died in the wool “believers” in the conspiranoia premise that this leveraged. Guess I kicked their particular sacred cow. Well, EXCUSE ME.
El Centro & OMEGA
This was a ARG/Transmedia style story with occult/horror/conspiracy elements, started in 2004 and ended in 2006. It utilized Web, print (booklet), radio, phone trees, theater and news wire services. [A version of the doughnut shop scene from this story was used in Amsterdam production of Terra: Extremitas by Foolish People.] This project was done in collaboration my late friend Dave Szulborski. There’s a LOOOOOONG story about this project. So long in fact that it will take up at least three chapters in an upcoming book titled: Confessions of a Hoax Fiend.
Contributor: What Would Bill Hicks Say with Ben Mack, Amelia the Great and Soft Skull Press (along with Jeff Danziger and Martyn Turner; writers Neal Pollack, Robert Newman, and A.L. Kennedy; and Thom Yorke of Radiohead and others…)
Introduction, afterward and editing for Poker Without Cards- First Edition. I orchestrated the first release campaign for this book, with the main character becoming “real”on the Internet for a while. After the first few months I turned it over to the author. (statement regarding this work here)
GALT’S ARK: The Black Symphony, First and Second Movements
Produced by Cthulhu
The Players: Joseph Matheny, Christopher S. Hyatt, Ph.D.,
Father Daniel Suders & Nicholas Tharcher
Illustrated by S. Jason Black, Jonathan Sellers, Weirdpixie & MobiusFrame
Did someone say John Titor? Books, movies, even an anime series has been spawned by this “media prank” (some would prefer to call it a conceptual art work. *cough*) But you didn’t hear it from me. It will just be our little secret. K?
Ong’s Hat the Beginning
[ Reviews | Interviews, etc. | Wikipedia] This was a ARG/Transmedia style story started in 1988 and ended in 2001. It utilized zines, BBS, early Internet, Web, CD ROM, CD Audio, DVD, print (book, graphic novel and magazine), radio, phone trees, fax, and news wire services. I gained and leveraged exposure in both the mainstream and alternative media to distribute over 2 million copies of CD ROM, ebook and print versions of the story combined,. Here is a excerpt from This is Not a Game that describes it. Story elements from Ong’s Hat were also included in the EA Game, Majestic which unfortunately ended prematurely due to 9/11. It was the subject of a full 4 hour show on Coast to Coast AM, been the subject of an article on the Weekly World News and been covered on many radio shows world wide, books, newspapers, magazines, etc.
Game Over? (currently re-vamping this for re-release)
Incunabula: The Graphic Novel Free ebook version here
Why DVD? (B and N Digital Bestseller)
Convergence 2000 (B and N Digital Bestseller) Free ebook version here
Also contributed a few articles to Bob and Arlen Wilson’s Trajectories.
I’ve contributed articles to AlwaysOn and Adotas. I’ve contributed book, music, and movie reviews to Gnosis and Magical Blend in the past as well as the old Boing-Boing print magazine and Fringeware Review. Note, in the interest of full disclosure, I’d sometimes contribute more than one article or review to a single publication and to avoid the appearance of saturation, I’d use the pen name: Michael Kelly for some of the articles.
(more added as I dig it up and dust it off)